Saturday, September 18, 2010

The Hand That Feeds Me (poem)

Cornered, an animal,
I am foaming, cancerous,
poisonous, unforgivable spite.
Menace my way
into this pit where
my kind ain't allowed.
One of these days
I will bite this hand
that feeds me
and it will turn
gangrenous
in my mouth, it will
blacken and cease
to be and then
what.
Starved, I'll surely become
more dangerous than I am
now and how
can that be?
What strange creature
will be my evolution?

Where You Are (poem)

It was late night
for all of us
but seemed later for you,
down on all fours, crawling
with the dogs, drunk
doesn't even begin to cover it.
The rest of the partiers line
the kitchen walls, snapping
photos on their phones
of you -- one hot mess.
The youngest of the bunch
vies for your attention,
even though you've called
the wrong person by her name.

How interchangeable we are
where you are! Until --

I lean into you to say goodnight
and you grasp me harder
than usual and say my name.
"I'm staying here," you say.
"You should," I reply.
"You should stay, too," you say.
I look at your face, at your unfocused eyes,
and, oh, heart, broken, I can't stay
as late as it is wherever
you are tonight.

Friday, September 10, 2010

In Time (poem)

I am interested in time
and how it changes
how you feel about me.
I am interested in how
you feel about me.
Time tells the story
with an infectious laugh
and I lean in close
to hear all the tonal nuances.
I am interested in you
and all the nuances
of how time reveals us
to each other. We are timeless.
We are slowly vibrating
in space. I am so sure
of my fixed place
on your time line that I will
let this all unfold.
I will actively play out
my passive part.
I am interested in how
time will end this all.

Sunday, July 11, 2010

On My 31st Birthday (ii) (poem)

On my 31st birthday,
Tom, Marinda, and I
leave our nicknames behind
and climb on to a roof
at MIT. Look out --
there is Boston,
so close, a river's breadth
away. The night is breezy
and hazy but still
clear enough to count the stars.
Marinda points out the Big
Dipper as Tom flops down
and looks up. Feet dangling
off the roof, I talk about plans
for the summer. We are
peaceful together, sober
for now, and reflective.
Later we will sing our way
through abandoned hallways
but at this moment, all I can do
is think that this is a moment
to capture. This is a moment
to keep close to the skin.

Love Story (poem)

What she meant to say
was, "I don't love you anymore."
But what she actually said
was, "I don't want your tomato."
Such a simple shift in how
they eat a meal together
and he knows immediately
something consequential looms.
This is the way love hides
until it is found, dead and rotting,
by a jogger in the morning,
with a rotten tomato
shoved deep in its throat.

Put Aside (poetry)

I’m beginning to believe
I am crazy, that I’ve gone there,
that you are actually right.
I must have done something
to provoke this side of you:
angry, violent eyes, a voice raised
in furious decibels. You are
passive, always have been.
Overeager to avoid a fight.
You are a talker, not a screamer,
a peacemaker, not an aggressor,
but I have seen you transformed
of late. Oh god. It is terrifying.
You say again and again --
you are doing, you are being, you are,
and I don’t think I am doing,
I am being, I am --
but I must be. I don’t know
what else would push you
so close to the edge
only a devil unstabled
like me would
put aside for you.

Letter to Marinda (poem)

Oh, Marinda --
There are so many things
you can learn in a letter
written with spontaneity:
Here is a story I wish to convey.
Here is the stream of side notes,
sometimes scribbled
in the margins. There are words
no one can decipher.
There are depths to the prose
no one can comprehend.
But write it out anyway
and let the pages be shared
with that intimate audience.
Blank sheets of paper, prepare
to be filled and filled
with love --